Life Work. The New Yorker 71, no. Art Museum Exhibit Embraces Pluralism. Milwaukee Journal Sentinel, 10 September 1995: 1, 12. Late Twentieth Century Art From the Sydney and Frances Lewis Foundation (exhibition catalogue). Holzwarth, Hans Werner and Laszlo Taschen, eds. Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, February 13April 6; Archer M. Huntington Art Gallery, University of Texas, Austin, July 31September 21; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois, October 23December 14; Williams College Museum of Art, Williamstown, Massachusetts, January 15March 8; Akron Art Museum, Ohio, April 9May 31; Madison Art Center, July 26September 20, 1987. Chuck Close (exhibition catalogue). Late Twentieth Century Art from the Sydney and Frances Lewis Foundation, The Sydney and Frances Lewis Foundation, Richmond, Virginia, 1981. Le Mouvement des Image, Centre Pompidou, Muse national dart moderne-Centre de creation idustrielle, Paris, April 9, 2006January 29, 2007. Chuck Close. Santa Fean (May 2000): 77. The Week, 11 March 2013. http://www.theweek.co.uk/, Close, Chuck. Chuck Close & Personal. Whitewall (Summer 2007): 88103, illustrated. A One-Print Show by Chuck Close at MoMA. Arts Magazine 47, no. J. 30 YEARSArt in the Present Tense: The Aldrich's Curatorial History 19641994 (exhibition catalogue). New York: PaceWildenstein, 2000: illustrated. WebOn Sale; Store Locator; News; Contact Us; Financing News. Best 100, The Tokushima Modern Art Museum, Japan, October 9December 26, 2010. Marvel, Bill. 3rd ed. Double Take: Photorealism from the 1960s and70s (exhibition catalogue). 7, 20 September 1971: 6061. Traveled to: PaceWildenstein, 142 Greene Street, New York, December 2, 1995January 6, 1996. Glueck, Grace. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005: 225, 90, illustrated. Head Honcho. The New Yorker, 23 March 1998: 9193. Face Value: American Portraits (exhibition catalogue). Shirley, David L. More Real Than Real. The New York Times (Long Island Edition), 6 August 1978: 14. Uidhir, Christy Mag. (Catalogue). (Catalogue). Schuster, Angela M.H. American Art of the 1960's. Washington, D.C.: Friends of Art and Preservation in Embassies, 2001. Meijas, Jordan with photographs by Timothy Greenfield-Sanders. Chuck Close: Prints, Virginia Lynch Gallery, Tiverton, Rhode Island, September 27October 25, 1998. Dyckes, William. MONOCHROME/POLYCHROME: Contemporary Realist Drawings (exhibition catalogue). Innocent Eye. Chuck Close (exhibition catalogue). Traveled to: Virginia Museum of Fine Arts, Richmond, February 8April 4, 1982; Oakland Museum, California, May 6July 25, 1982; Gulbenkian Foundation, Lisbon, September 29October 27, 1982; Salas de Exposiciones de Belles Artes, Madrid, November 17, 1982January 8, 1983; Kunsthalle, Nuremberg, February 11April 10, 1983. Albrecht Drer to Claes Oldenburg: Collecting at the Cornell, 19902010 (exhibition catalogue). Buck, Joan Juliet. Critical Reflections, Adam Gopnik. Artforum (April 1995): 76. Great Big Drawings, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, April 3May 2, 1982. Calamita per talenti di tutto il mondo. Il Giornale dellArte (April 1987). Milan: Skira Editore S.p.A., 2006: 176177, 402403, illustrated. Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, September 18December 31, 2012. The Connotation of Denotation. Arts Magazine 48, no. Chuck Close: Die Nahe des rechtigen Moments. Kleine Zeitlung (Austria) (July 1994). Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994January 14, 1995. Photography: Three Exhibits Transform Flowers, Nudes, and the Human Face. Chicago Tribune, 3 February 1989: 14. 4 (February 1995): 19. Baron, Fabrien, ed. Art in America 80, no. Ganz, Kate. Haenlein, Carl. Chuck Close: Maquettes, Pace/MacGill Gallery, New York, January 9February 15, 1986. 10 (November 1997): 52. Obama Recruits Chuck Close and Yo-Yo Ma for Arts Education Initiative Aimed at Struggling Schools. Artinfo.com, 26 April 2012. http://www.artinfo.com/news/story/801379/obama-recruits-chuck-close-and-yo-yo-ma-for-arts-education-initiative-aimed-at-struggling-schools. London: Goodman, 2009: 52, illustrated. New Work, New York (exhibition catalogue). Chuck Close: Self-Portraits, Martin Weinstein Gallery, Minneapolis, March 13April 11, 1998. Smecchia, Muni de. Explorations: The Visual Arts Since 1945. New York: Harcourt Brace Javanovich, 1975: illustrated. 1963, Yale University School of Art and Architecture, New Haven, B.F.A. Paris: Filipacchi, 1973: illustrated. Comita, Jenny. Hampshire, Massachusetts: Hampshire College, 1979: illustrated. Arthur, John. PolaroidsTransfiguration. San Francisco Examiner, 22 March 1982: E5. The Conversation: Close Encounter. Interview by Dodie Kazanjian. (Catalogue). WebOn Sale; Store Locator; News; Contact Us; Financing News. A Decade of Giving: The Apollo Society, The Toledo Museum of Art, September 8December 1, 1996. New York: CBS College Publishing, 1984. (Catalogue), Chuck Close, Kunstraum Mnchen, June 28July 21, 1979. Guequierre, Nathan. Milwaukee Art Museum Guide to the Permanent Collection. Media Blitz: Spin Art. The Village Voice, 29 May 1990: 9. 5 (May 1979): 8. Schipprack, Annette. Chuck Close, Museum of Contemporary Art, Chicago, February 5March 19, 1972. The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4March 6, 1993. Super Collection 99 Untold Stories (exhibition catalogue). New York: Holt, Rinehart and Winston, 1979. Cassone-art.com, 11 March 2013. http://www.cassone-art.com/. Donovan, Molly. Traveled to: Aarhus Kunst Museum, Denmark, 1973; Henie-Onstad Kunstsenter, Oslo, 1973; Hamburger Kunsthalle, Hamburg, 1973; Moderna Museet, Stockholm, 1973. Close Encounters. The Telegraph Magazine, 9 December 2012. Through rehabilitation, he regained his ability to paint by using a brush-holding device strapped to his wrist and forearm. Heyler, Joanne, Ed Schad and Chelsea Beck, ed. Contemporary, Cool and Collected (exhibition catalogue). 20 x 24/Light (exhibition catalogue). (Catalogue). Chuck Close: Up Close (exhibition catalogue). Art in Review: 'A Floor in a Building in Brooklyn'. The New York Times, 22 July 1994: C24. Art Talk: Portrait of the Diva as Druid Priestess. Art News 106 (May 2007): 44, illustrated. (Catalogue), Fifty-Second National Midyear Exhibition, The Butler Institute of American Art, Youngstown, Ohio, June 26August 21, 1988. Chuck Close: Up Close. The Man Who Measures Fame. Vision (June 1981): 4144. Face to Face: Portraits from the Collection of the Metropolitan Museum of Art. Artforum 32 (October 1993): 66, 71. Fischl, Eric. Beyond the Canvas: Artists of the Seventies and Eighties. Wilson, Bruce. Rainer, Wolfgang. Black & White, Leo Castelli Gallery, New York, December 29, 1982February 9, 1983. Perreault, John. Watrous, James and Andrew Stevens. Chikako, Takaoka. Out of Hand: Materialising the Digital. Whatever you call it, Super Realism Comes on with a Flash. Washington Post, 25 November 1975: B1. 9 (9 March 1998): 1, 26. Young Artists: Visual Arts Activities for Young Artists at Home and at School. McDarrah, Timothy. Larousse Encyclopedia of Modern Art from 1880 to the Present Day. Akron, Ohio: Nina Books, 1981. Portrait im 20. The Power to Transform: Gifts of Art for the New MFA. Ann Arbor: UMI Research Press, 1985. World-class Artist Chuck Close Returns to His Roots with Show at the Schack (exhibition review). Chuck Close, Philip Glass,40 Years, Arnold and Marie Schwartz Gallery Met, Metropolitan Opera House, New York, March 16May 17, 2008. Ratcliff, Carter. A Year in the Life: Tropic of Painting. Art in America 82, no. ARS '74/Helsinki. Art International The Lugano Riview 18, no. Interview by Ingrid Sischy. 47, 2 December 1991: 148, illustrated. Chuck Close (M & D). Flash Art, no. An Opinionated Survey of the Weeks Events. The Village Voice, 29 January 1985: 6364. 6 (Summer 1991): 143144. Seward, Keith. Cambridge, Massachusetts: MIT Committee on The Visual Arts, 1985: illustrated. New York: Craig F. Starr Gallery, 2016. Tomkins, Calvin. Henry, Gerrit. Varnedoe, Kirk. Up Close and Personal. Review, 1 May 1998: 1, 56. Homo Sapiens: The Many Images, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 1982. Mehr Als Die Augen Sehen. Zeit Magazin, no. Chuck Close: The Keith Series, Reynolda House Museum of American Art, Winston-Salem, South Carolina, January 17May 31, 2009. New York: Whitney Museum of American Art, 1991: illustrated. Interview with Chuck Close by Paul J. Schupf, Rebecca S. Chippy and Elizabeth E. Barker. Text by Nicholas Fox Weber. Berlin: Nationalgalerie Berlin and Cologne: Kunsthalle Zukiel, 1976. After studying at the Akademie der Bildenden Knste in Vienna (1964) on a Fulbright grant, Close returned to the United States in 1965. (Catalogue), 50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17October 23, 2010, and 510 West 25th Street, New York, September 17October 16, 2010. Art Listings: Close encounters (exhibition review). From Selfie to Self-Expression (exhibition catalogue). 3 (March 1996): 106109. Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry Mendelssohn Buhl (exhibition catalogue). Sharp Focus: La Continuit realiste dune vision Amricaine. Domus, no. 9 (Spring 1975): 1415. Hugo, Joan. Gallery Party Leaves Em All Out on the Streets. Los Angeles Times, 2 October 1995. Haden-Guest, Anthony. Levine, Joan. Middletown, Connecticut: Wesleyan University, 1975: illustrated. 9 (April 1993): 7479, 115. New York Observer, 26 August2 September 2013: B1, B7, illustrated. 915 (May 1973): 329333. Gardner, Paul. Chuck Close: A Personal Portrait, Works and Papers, Archives of American Art, Smithsonian Institution, New York, October 8, 1996January 6, 1997. Perreault, John. Germany: Kunsthalle Emden, 2010: 251, illustrated. Maine Art Stream. Art News 108, no. Hay, R. Couri. Walthard, Dr. Frederic P. Art 7 /76 (exhibition catalogue). UBS Art Collection: To Art Its Freedom. Fotografia: Chuck Close. Arte (September 2003): cover, 177, illustrated. New York: The Artist Book Foundation, 2015: 8687, illustrated. Accent on Paper: 15 Years at Dieu Donn Papermill, Lintas: Worldwide, New York, October 2, 1991January 10, 1992. Neue Realitten: FotoGrafilk von Warhol bis Havekost, Kupferstichkabinett Staatliche Museen zu Berlin, June 10October 9, 2011. (Catalogue). Selections 4, Photokina 88, Cologne, 1988. Kertess, Klaus. Image World: Art and Media Culture (exhibition catalogue). Return of the Real. The Village Voice, 23 February 1970. (Catalogue), Chuck Close, Galerie Thomas Modern, Munich, November 23, 2012February 16, 2013. Adato, Allison. 10 (October 1994): 90101. Maynes, Erin Sullivan. 444 (1971): 25072519. Piras, Sebastian. Steinbach, Alice. Reviews and Previews. Art News 69, no. 9 (May 1983): 52. New York: Whitney Museum of American Art, 1991. Amerikanische Kunst von 1945 bis heute: Kunst der USA in europischen Sammlungen. Rosoff, Patricia. (Catalogue). Sims, Patterson and Marcia Tucker. Houston: Institute for the Arts, Rice University, 1974: illustrated. Haskell, Barbara and Jay Belloli. Large-Scale Photographs. Time Out New York, 1421 November 1996: 46. Milan: Leonardo International, 2001: illustrated. Lerner, Ralph and Judith Bresler. Paris: Galerie Isy Brachot, 1982. Texts by Judith Brodie and Adam Greenhalgh. Logical Conclusions: 40 Years of Rule Based Art, PaceWildenstein, 534 West 25th Street, New York, February 18March 26, 2005. One Vocabulary: Its Permutations and the Possibilities There From Part One: Daniel Buren, Chuck Close, Barbara Krakow Gallery, Boston, May 29August 15, 1995. Shulman, Leon. New York: PaceWildenstein, 2009. Cunningham, Anne. New York: Whitney Museum of American Art, 2002. Summer Academy 2, PaceWildenstein, 32 East 57th Street, New York, June 28September 23, 1995. Chuck Close: Editions, University Art Museum, University of Southwestern Louisiana, Lafayette, September 7October 24, 1991. Graphicstudio: Uncommon Practice at USF (exhibition catalogue). 1 (September 1969): 69. Revealing Artists Secrets (Orange County Museum of Art exhibition review). Of Dealers and Players. The New Yorker, 2 October 1995: 3637. New York: Harper Collins, 1991. Self-Portrait Today, The Museum of Modern Art, Saitama, Japan, 1985. Dreams for the Next Century, The Parrish Art Museum, Southampton, New York, July 11August 6, 1998. Chicago in Review. Arts Magazine 63 (May 1989): 115. Luke, Ben. New York: Rizzoli International Publishers, 1984. Terre Haute, Indiana: Turman Gallery, Indiana State University, 1984: illustrated. Legg, Alicia, with Mary Beth Smalley, ed. Art Issues (NovemberDecember 1995): 43, illustrated. (Catalogue). Ten American Artists From Pace (exhibition catalogue). Thirty-Five Years at Crown Point Press: Making Prints, Doing Art (exhibition catalogue). 25 (November 1971): 47. Face Value (Guild Hall exhibition review). Chuck Close/Pace/Macgill. Artforum 23, no. The Wall Street Journal, 16 April 2013: A19, illustrated. New York: Mcgraw-Hill, 2006: 36, illustrated; 37, 62, 63, 317. Santa Barbara, California: Sullivan-Goss, 2006: illustrated. Dannatt, Adrian. Carnegie International 1995 (exhibition catalogue). Two Big Shows: Post-Modernism and Its Discontents/New York: The Whitney Biennial. Artforum 29 no. Slade, Roy. Theories of Contemporary Art. (Catalogue). Battcock, Gregory, ed. 5, 31 January 1972: 5055.
Sinaloa Hurricane 2022, Three By Three Gnome Magnets, How Old Was Paul Wesley In Vampire Diaries, Higgs Domino Apk Mod X8 Speeder, When Did Teachers Become Mandated Reporters, Serengeti Sunglasses Replacement Temples, Hemet Weather February, National Atomic Testing Museum Events, Washoe County School District Employment Verification, Universal Crypto Signals, Class Method Vs Static Method Python, Kaiserreich Eisenhower,